I'll be showing a few prints at the Collective (R)evolution show at The Fridge on Friday, July 29. My friend Tasha Webb, a great painter, will be showing work here as well. Come through and support this fundraiser for the DC Youth Slam Team!

And don't forget, I'll be showing some work (photos & text pieces) at the East of the River exhibit Friday, Aug. 5 at Honfleur Gallery in Anacostia. Hope to see you there as well.

EOR_2011_finalfront

Yours truly will be showing prints at the East of the River exhibition at Honfleur Gallery in Washington, DC. The show opens on Friday, August 5, which is just one month away! I'm terribly excited to be a part of this exhibit and if you live in the area, I hope you'll come by for the opening reception. And if you can't make the opening, the show will be up through September 16.

Full list of artists:
Marlon Norman
Jonathan Edwards
Danielle Scruggs
Jon Malis
Deborah Terry
Lark Catoe-Emerson

The show was juried by an esteemed panel (to say the least!): documentary photographer Susanna Raab, visual artist Renee Stout and Stephen Bennett Phillips, director of the fine arts program at the Federal Reserve Board.

In other news:
Have you bookmarked Mambu Badu yet? Have you 'liked' us on Facebook? Are you following us on Twitter? We have a ton of new ventures slated for 2011 and 2012, and I wouldn't want you to miss out. What are you waiting for? Check us out today!

Also, check out my latest posts for the Liberator Magazine and Innervisions:

+This (Black) American Life / "There's no dialogue for strange Black people." (A brief rumination on photographer Carla Aaron Lopez's work)

+What if there were no more art galleries? (On Kesha Bruce and 6x6)

+Sweat: J*DaVeY x Elevator Fight (photos!)


Welcome to the first stop on the official 6x6 Summer Blog Tour! I recently had the opportunity to interview artist/arts advocate Kesha Bruce again (I interviewed her for the Liberator Magazine some time ago), this time regarding her new venture, the 6x6 Arts Festival. We also talked about how artists can create a more opportunities for themselves, rather than waiting to be discovered by a gallery or editorial client. I gained some insights on where I need to improve and push myself in my own work. Read more below:

How, in your view, can artists create a better work/life balance?
Kesha Bruce: I get this question all the time from my consulting clients, so I can tell you right now that my answer is going to be unpopular.  Here it is:  Realize that you cannot have it all, and understand that time cannot be managed. The only thing you can manage is how you choose to spend your time.  (Emphasis mine.)
Make a list of the things in your life that are truly the most important to you and bring you the most joy. Then beg, borrow, steal, and fight like hell to squeeze a little bit of those things into every day.  Even if you only get to spend 10 minutes a day making art, 10 minutes is better than no minutes!

What is one concrete action an artist can take right now to establish a more fulfilling/successful career?
KB: I wish I had an easier answer, but every successful art career is built on a combination of actions---and combined consistently.  There isn’t one magic thing you can do that will transform your career.  If there were---we’d all be doing it!  Unfortunately, it just doesn’t work that way.   All of your marketing efforts must work together and they need to be consistent. Meaning they need to be planned and scheduled. And you need to commit to repeating them over a certain period of time.

There are no magic bullets or easy formulas.  A successful art career is built on a system of actions that you work and implement day by day ---every day---in order to be constantly generating new work and interest in your work that will lead to sales. 


Could you just talk a little about what inspired 6x6 and what you hope to accomplish with it?
KB: The idea for 6x6 came one night during a discussion I had with my friend and fellow artist Charlie Grosso.  We  were having one of those long involved discussions about art, and how it's bought and sold and what we would do differently.  By the end of the evening we have decided that instead of just talking about the way thing should be, that we should actually go do something about it.

The whole point producing 6x6 is to lead by example. The entire event is  a blue-print for how artists can work together to help each other promote their art.  At the end of 6x6, we’ll take the video footage, workshop notes, and podcast recordings and package it all up into an affordable, easily downloadable, step-by-step "How-To" guide so that independent artists can learn exactly how they can plan and re-create their own version of 6x6 in their own art communities.


What are some key differences between the traditional gallery system and the 6x6/Baang + Burne approach?
KB: Well for starters, we have no set location, so we organize events wherever and whenever we want in any format we choose.  Secondly, our contract with each Baang and Burne artist is non-exclusive and each artist gets to tell us what percentage they want to pay us for each sale---which is pretty unheard of within the traditional gallery system.


But honestly the biggest difference is our simple no-nonsense attitude towards art sales.  We don’t go out and try to find art collectors.  We create them by building relationships between art lovers and artists.  It really is that simple.


To learn more about 6x6, read Kesha’s weekly articles on art, art marketing, and
creativity and to download a free copy of her guide “The 5 Step Art Career Make-Over” visit her blog at http://www.keshabrucestudio.com/.