October 29, 2009

Roy DeCarava, 1919-2009


© Roy DeCarava

"No, its not about pretty pictures, because it’s not about pretty. It’s about truth. And truth is a many splendored thing — a multi-faceted thing. It doesn’t have to be pretty to be true, but if its true it’s beautiful. Truth is beautiful. And so my whole work is about what amounts to a reverence for life itself."
RIP, Roy DeCarava. I can't even put into words how much of an inspiration this man and his work has been for me.

Of Interest: (DeCarava edition)
1996 Tribes interview with Dread Scott
NY Times obituary
Beautiful photos from the Lens blog
Liberator Magazine feature
Sweet Flypaper of Life, his collaboration with Langston Hughes

October 20, 2009

Nikita Gale





all photos © Nikita Gale

On my never-ending quest for inspiration, I came across the website of one Ms. Nikita Gale, a photographer based in Atlanta who produces absolutely beautiful, slightly off-kilter photos. I'm shooting film exclusively right now since my digital camera passed last week. Seeing Gale's images make me excited about going analog again. She also co-edits the Catalog of Visual Interestingness, which is pretty much exactly what it sounds like.

October 15, 2009

Morning.



© Danielle Scruggs

For reasons I won't get into*, Wednesday was all kinds of awful could have been a lot better. But I won't dwell on that. I'll focus on the fact that I have another day and another chance to start over and make things right. I know all too well that many people don't even get that.

Of interest: (inspiration-to-get-me-through-until-the-weekend edition)
Morning, by Amel Larrieux
Belhaven Meridian, by Shabazz Palaces
Sardines, by Michael Goldberg


(*Well, okay, here's one: my camera officially shuffled off this mortal coil. I'm trying not to panic.)

October 5, 2009

Thoughts on exhibiting


So. I took part in Recession Art's No Money No Problems show, which opened this past Saturday. Honestly, the whole thing feels a bit like a dream---the beautiful warehouse in Brooklyn, performance artist Lydia Bell dancing in front of my prints, two other floors packed with paintings, prints, sculpture, sweet French artists who offer you wine and a look at their beautiful photographs, brunch with parents, meeting up with some of my Brooklyn pals, the blur of cities that rush by on trains and buses while traveling between D.C. and New York.

The show was a mix of photography, paintings, sculpture, found objects, video and a giant tank of carrot juice (yes, really!). And I loved seeing the way our work fit together. It was an amazing time.

There's plenty of room for improvement, of course. I think I could have done a better job with the presentation of my work but it was also gratifying to see how people responded to my photos. I also realized how important it is to share the meaning behind your work. Once you do that, you give people a deeper understanding of what you were trying to accomplish, even if those original motivations feel a bit personal to share. It's also important to hear how other people interpret your work (whether they like it or not) because it gives you new ways of seeing yourself and new ideas of where to go next. It also made me realize I need more of that creative energy that comes from sharing ideas, and hearing perspectives different from my own.

I want to do more of this. I feel motivated again. I feel ready to tackle ideas that have been floating in my mind for a while. I feel ready to share my work more often.

It's a good feeling. Now I just have to adjust back to the D.C. pace. New York can be such an overwhelming, exhausting place. And I mean that in the best way possible.

P.S. No Money No Problems is still running at the Invisible Dog Gallery through Oct. 10. If you live in the New York area, you still have five days to check it out! Go here for more information.

P.P.S. I desperately wanted to take photos of the opening; unfortunately my camera decided to conk out on Saturday. I'm keeping my fingers crossed that it's nothing too serious. In the meantime, I'm waiting on photos from my parents.

September 17, 2009

Jet + Google Books





Google Books now has every issue of Jet magazine uploaded for your perusal and pleasure. Here it is, a document of how Black people have seen ourselves---our music, our fashion, our trials, our triumphs---for the past half century. It will be fascinating, I'm sure, to make comparisons between what has changed and what has (for better or worse) remained the same.

I am eternally grateful to the Liberator Magazine family for pointing this out first.

Of Interest:
More on Jet magazine
More on John H. Johnson
Mad Men shout-out

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